About Æsa: I’ve been in the SCA for about 13 years. While I love sewing, I also enjoy playing with other skills like archery, knife and axe throwing, fiber arts, basket weaving, herbalism, soap making, pottery and brewing/cooking. I love acquiring skills that a Viking wife would have used in her everyday life. While the sewing aspects of the garments will not be difficult, historical clothing can sometimes present challenges as I am paralyzed. I often have to strike a balance between something that looks as correct as possible while also being comfortable, allowing for medical restrictions and not hindering my wheelchair’s movement.
Her Project: I’m hoping to create an ensemble that would have been worn by the Norse wife of a fairly well-off land owner in 10th century Jorvik. The piece is not based on any single burial find, but takes inspiration from several. The plan is for wool stockings, a linen underdress, a woolen dress and apron with jewelry and a head covering. The goal is to spin and weave a component of the ensemble.
About Alanna: I’ve been in the SCA for 20 years, mostly doing service things. I also do equestrian, thrown weapons, and archery. Nearly all of my sewing up til now has been by machine in straight lines (this is why early period is great) but I’ve made a decent amount that way. I enjoy embroidery and I’m working on improving my tablet weaving. I say my persona is 12th c English but realistically I think it’s turning into Norse cause it seems easier to make the complete picture look accurate. I’m doing this because I want to have garb that is as accurate as possible to level up my participation and this seemed like a good reason. This will be my first hand sewn garb and my first time constructing most of these pieces accurately. I’m also learning nalbinding for this project as I have never tried it before.
Her Project: My goal is to create a migration era Norse ensemble from the skin out, entirely sewn by hand. It will include an under tunic, serk, smokkr, and nalbinding mittens and socks. Other accessories will be made by friends, or possibly added to by me if I have extra time. This will be based off of extant finds, contemporary writings that describe the outfits, and visual representations from the period, mostly as interpreted by people with better research skills than me. I think this outfit would be worn by a woman of high status to a situation where many important people would see it to show off her wealth. I’ve been wanting to up my garb accuracy for awhile, and this will be the first time I work on a complete outfit for that goal.
About Ambra: My first event was in the womb. In that time, I have learned to make sturdy lasting garb – but have opportunities to grow my quality and aesthetic. I am very excited for this challenge. In 2017, I was elevated to the order of the Laurel for my efforts in Writren Works and the bardic comunity, and due service to my kingdom. I come from the shiney days of firelight carching trim, and am looking to step intonsomething more authentic (while maintaining the convenience of my sewing machiene – better for my attention span…). I actually have an itLlian persona, but my household is norse, linen breaths, and trimaris is hot! This will be the perfect wander-by-night Gulf Wars outfit. Ideally.
Her Project: I plan to make a late norse outfit – undershift, apron, coat, and accessory. The coat especially is something Inhave wanted to make for some time. It may include some heraldry. I have not yet decided. It will be based on some historial examples and altered for my personal aesthetic.
About Birna: I’ve been in the SCA for about 40 years. Own and operate an agro educational Icelandic farm in north east florida where we teach leather, wood, metal, and fiber arts. I have until now sewn by machine but have started sewing by hand; pretty ugly still. I have never embroidered. The garb design and initial construction should not be a problem. I have never made shoes before so that will be challenging. Also the trim; although I make the looms and teach the craft, takes many hours to get that much for hems and other pieces so that will be time consuming. I think the hardest for me will be the embroidery since I want to be very elaborate with Norse knot work and other designs in multi colors. This will be directly related to my persona and will be used when I compete at local, kingdom, and IKAC events.
Her Project: This is an archery outfit of my own thoughts. There will be a hood, shooting cap, dress, and apron. There will be hand woven trim; by me, on all the pieces and the dress, hopefully, will have embroidery around the hems and sleeves. I am doing this in a Norse style, early period. I also plan to make a pair of shoes in the Jorvik style and pour a pair of broaches at my forge. Although this is not fashion related I am also tooling a new leather quiver and making a set of period arrows. I am a mid 11th century Icelandic woman who was raised by my father to do everything the men do as well as what the women did around the farm. I fight, loose, do metal and wood, leather, cook, and run our farm.
About Claricia: I have been in the SCA for 10 years now. I enjoy sewing and increasingly prefer hand stitching. I have also done weaving, spinning, knitting and a little leatherwork in the past but not huge amounts of historic stuff. I do like to research and try to be accurate. I like working in different eras as this gives an understanding of the way clothes design developed. I am more inclined to make things for other people and just cobble together things for me. I want to use this challenge to give me a really nice set for me.
Her Project: At this point, I want to enter but I am unsure if I will do a new Viking era or expand into a different period. I will be working solely from my existing “stash” so will use the rest of the month to sort out my best option
About the Clowder: Our group is a mix of newcomers to our Barony and people who have been here for years. We decided as a group to do something for one of our newcomers who had very little in the way of garb. Our group name was chosen because we mostly agree that this is going to be like herding cats. 😉
Their Project: We will be constructing a Viking Era Norse woman’s outfit for one of BLT’s newcomers. We are going with a general Norse outfit based off of several extant finds. Details are still being hammered out.
About Diachbha: I joined the SCA in 1977 at Spinning Winds first event when we were still part of the Middle Kingdom. Except for 3 years in grad school, I have always lived in Calontir. My persona is late 10th c Norse, mostly Jorvik, but I give myself permission to wander Norse areas for inspiration and bling. This is an outfit that I could wear regularly. As I mentioned, I’m designing the coat to wear mundanely as well. I do sew sometimes, but I’m primarily a weaver. The whole outfit will be an interesting challenge. I have never forged anything before, but have made arrangements with a friend for lessons aimed specifically toward making a small blade with a curved handle. He’s psyched and I’m slightly scared.
Her Project: I’ve been itching to make this outfit for a while. It’s in the modern interpretation category because I want to use the coat for everyday wear. Underdress, apron dress, coat, embroidery, fibula, chains with small knife and leather sheath. Inspired by 10 and early 11th century Jorvik finds. Underdress and apron dress of hand-dyed linen. Coat of boiled wool, lined with India painted-calico (cotton). Garments hand sewn. Embroidery of reeled silk (patterns inspired by Danish Norse archeological finds). Fibula and chains from brass and bronze. Knife forged, tempered iron with cow hide sheath. If I have time, additional embellishment with tablet woven band of reeled silk. This type of overall outfit would have been worn by a middle-class householder. The whole outfit is the fancy version, perhaps worn for ceremonies.
About Embla: I’m a newcomer to the SCA, having decided to finally join this year. I’ve been sewing for as long as I can remember, and have been seeking to learn more about historical clothing construction methods in the past several years. I do a lot of different fiber-related crafts. I know how to knit, I’m getting the hang of nålbinding, I can spin wool into thread/yarn, I can weave on a rigid heddle, I’m learning how to do tablet weaving, and I know a little bit about millinery. I plan on using this project to get a better understanding of how to construct the more historically-based dress I’ll be making for my persona in the future, so I know how to properly fit it. I already know how to draft patterns, so this is going to be relatively easy, with the sewing part. The rest, not so much. Embroidery will be the next easiest thing, followed by knitting, then the parts that require weaving, and most difficult will be the Nålbinding pieces.
Their Project: I plan on making a modern-ish interpretation of a 9th – 10th century, middle class, Viking woman’s outfit. I plan on using more accessible fabrics (such as cotton/polycotton broadcloth for the underdress, and if I can find/afford it, a heavier cloth for the smokkr). I’m basing my outfit on the dress/tunic “pattern” on the clothing section of the Hurstwic website, as well as either a cloak or an overcoat, and accessories. I plan on doing a mix of machine and hand sewing, as well as weaving and nålbinding, as well as some embroidery, and possibly some knitting, if time allows.
About Jacquette: I have participated in the SCA for about 12 years, off and on. I was an avid sewer in my early years, but in the past few years have found it difficult to give my attention to. This project will encourage me to get back into a hobby I have long admired while challenging me to focus on historical research.
Her Project: My plan is to construct a Viking apron dress that would have been specifically used for breastfeeding. By interpreting burial artifacts, illuminations, and foreign cultural influences, I will portray what I theorize is the style mothers would have worn while feeding their young. This focused piece is inspired by my own lactation challenges, and my interest in how mothers prevailed in history.
About Lynn: I have been in the SCA about 15 years and sewing for about 60. I constantly add to my skills with each new project. On this one I will be learning or improving on weaving, tablet weaving, embroidery, glass beads, metal work, and wood carving. Each new skill is challenging.
Their Project: Viking based garb with accessories based on my interpretation of historical finds. 9th century. Under shift, apron, head ware, Hedeby bag, and apron adornments.