About Ambra: My first event was in the womb. In that time, I have learned to make sturdy lasting garb – but have opportunities to grow my quality and aesthetic. I am very excited for this challenge. In 2017, I was elevated to the order of the Laurel for my efforts in Writren Works and the bardic comunity, and due service to my kingdom. I come from the shiney days of firelight carching trim, and am looking to step intonsomething more authentic (while maintaining the convenience of my sewing machiene – better for my attention span…). I actually have an itLlian persona, but my household is norse, linen breaths, and trimaris is hot! This will be the perfect wander-by-night Gulf Wars outfit. Ideally.
Her Project: I plan to make a late norse outfit – undershift, apron, coat, and accessory. The coat especially is something Inhave wanted to make for some time. It may include some heraldry. I have not yet decided. It will be based on some historial examples and altered for my personal aesthetic.
About Beatrice : I started playing in the SCA in Trimaris about eight years ago and am currently living in the Midrealm. I have a fair amount of sewing experience, but have only made basic garb in the past. I have been wanting to up my garb game recently and this seemed like the perfect time to do it! In addition to sewing, I do a variety of crafts in the SCA, including kumihimo, jewelry making, fingerloop braiding, calligraphy and illumination, and banner making. At events, I can usually be found retaining or volunteering in some other way. This will be a challenging project for me, as I have not made garb above a basic level before. I fell in love with Roman garb during the hot outdoor events in Trimaris and am excited to make myself some new garb!
Her Project: I am planning to create an outfit that would have been worn by an unmarried upper class Roman woman of the Late Republic/Early Empire. I’ve been wanting to make a new, nicer outfit for a while, but this project has helped me focus that desire into a specific project.
About Catarina: I have been costuming since 1998, and joined the SCA in 2004. Since then I have dabbled in everything from Norse to 16th c. English, and a fair bit in between. In recent years I’ve settled into the latter half of the 16th c., experimenting with embroidery and surface decoration. This project doesn’t directly tie into my persona – but honestly, I jump around so much I couldn’t really say that I HAVE a dedicated persona. I’ll be using some tried-and-true techniques and some new ones, so I hope that this will be interesting, challenging, and help me grow as an artist.
Her Project: I will be creating a 1540’s farthingale, kirtle, French Gown, French Hood, and accessories. Nobility class – I usually stay firmly in the working or middle class, so I’m taking this challenge as an opportunity to make something sumptuous. Loosely based off of Holbein’s portrait of Jane Seymour, William Scrott’s portrait of Princess Elizabeth, and other similar portraits.
About Frieda : well, I and my husband joined a little over three years ago after I had open-heart surgery as a hobby to keep me busy, I have been sewing on and off for over 15 years, not a master. I do show interest in other skills and try to pick them up, but I love sewing. and I really hope to if only at least complete this challenge with a sense of accomplishment, I know that will be huge but I would love to take the challenge and place honestly by I feel that would be great.
Her Project: I am going for mid 14-1500, I believe it is as close as I can get that as possible based on the patterns I was able to purchase. it is a piece I have been wanting to make for a while. I do usually sew by hand so that makes this a very big challenge for me. I plan on making the chemise, underdress, overdress and something completely new to me, I will be making a leather chatelaine belt.
About Ian’ka: I have been in the SCA for 27 years. I’ve been sewing for about 22 of those years off and on. I am a scribe and researcher but have been known to make clothes for royalty and of course for my family of my husband and my son. This project will directly link into my persona and I have been struggling with motivation to make things in the last few years. I’m just now starting to get the urg to make clothes and was quite delighted to hear about this challenge. The clothes are things I’ve been wanting to make and now will have a reason to make them. I’m excited to pattern out a new style of underdress and to change up to slightly more Byzantine influence on the overdress. I’ve been meaning to make myself a lightweight coat for quite some time and I’m excited to finally use some coveted fabric in my stash. I think this project will challenge me in skill set as I will be developing new patterns for the underdress and since my motivation has been a bit lacking of late the reminders and the pressure from others in my household who are working on clothes will help keep me on track.
Her Project: The pieces will be what may have been worn by women in North Western Russia in the 9th-10th Centuries especially with groups that were traded with or influenced by the Norse traders. My SCA household is a mix of Rus and Norse personas and as one of the Heads of the House and a Duchess the clothes should show the prosperity of being a wealthy trader’s wife in the 9th to 10th Centuries. A thin linen shift will start the outfit which will be a new endeavor for me as I don’t usually where that layer. Then the underdress will be based upon the fine linen garment found in the Pskov find which has a gathered neckline, this is a new construction technique for me. This fabric is a wonderful check patterned fabric in red/white. Checked fabric has been found in a number of graves in the North (Haithabu) and Russia. The linen overdress will be based more on the Rus with the silk details as noted in the Pskov finds but with the decorations from the Byzantine influences. The silks found in the Pskov grave show the Byzantine motifs in portions of their weave. there are many examples of this style of decoration in church frescoes, period bracelets and in grave finds. The plan is for plain silk that will be accentuated with tablet woven trim in either linen or silk. The trim will be either made by myself or my husband. A wool coat will be from handwoven fabric, accented by silk and based on kaftans from period descriptions and paintings. I am yet undecided on if it will be center buttoning or side buttoning as both were worn. If I have time I plan on making a new set of beaded jewelry for this outfit to compliment it all.
About Lianor: I have been part of the SCA in Lochac for 5 years. I was originally drawn to Equestrian. And led me to an interest in 16th century Iberian culture. I love the aesthetics of the period. But my lack of Spanish language skills have made research harder. I have a good level of modern sewing skills, and one of things I’ve enjoyed in the SCA is translating this into historic skills. This project will be pushing me to improve my research skills and pattern drafting. I really enjoy hand sewing and detail, but I know I will have to comprise on my decisions to met the deadlines.
Her Project: My project is inspired by the portraits of Juana de Austria, Particularly the 1552/53 portraits by Juan Pantoja de la Cruz & Cristobal de Morales. Very much a royal portrait, it is assumed to be her wedding clothes. The third (outer) layer will be drawn from later portraits or images from the period. Mid to late 16th Century Iberian is a culture that I have researching for the last 2 years. And this challenge is giving me a reason to create this outfit that I have kept coming back to over the last 2 years.
About Olena: This dress will tie into a new persona I have created for myself. I have been in the Sca for almost 20 years off and on. Have sewn a bit of garb but nothing I would consider spectacular.
Her Project: Recently discovers I enjoy the Tudor period. So I will be making a 1560 ish Tudor period dress. Which will include: black work chemise(underdress)and cuffs, kirtle, dress, false sleeves, and French hood. I have attempted one gown previous to the one planned. But since I cannot work with a pattern only sew by sight I will find it challenging.