About Actreo: The two of us are a couple who have been in and out of the SCA for years. We heard about the Challenge from people in our local group. We will be making garments that we have wanted to make for a while. The inspiration of this challenge is a gift right now.
Their Project: We will be making a set of clothes for a high status (Thegn level) man and woman from England in the mid 11th Century. These garments will be based on artwork and writings done in period, as well as fragments from grave finds. We have been researching on this period for a while, but have yet to make a set of historically accurate clothing for the late Anglo Saxon time period. We need a set of court garb, not just pennsic clothes. We will be making for the man a shirt, trousers, tunic and cloak, and for the woman a smock, gown, mantel, and veil, as well as a number of smaller pieces.
About Æsa: I’ve been in the SCA for about 13 years. While I love sewing, I also enjoy playing with other skills like archery, knife and axe throwing, fiber arts, basket weaving, herbalism, soap making, pottery and brewing/cooking. I love acquiring skills that a Viking wife would have used in her everyday life. While the sewing aspects of the garments will not be difficult, historical clothing can sometimes present challenges as I am paralyzed. I often have to strike a balance between something that looks as correct as possible while also being comfortable, allowing for medical restrictions and not hindering my wheelchair’s movement.
Her Project: I’m hoping to create an ensemble that would have been worn by the Norse wife of a fairly well-off land owner in 10th century Jorvik. The piece is not based on any single burial find, but takes inspiration from several. The plan is for wool stockings, a linen underdress, a woolen dress and apron with jewelry and a head covering. The goal is to spin and weave a component of the ensemble.
About Æva: I have been playing in the SCA for just about 4 years now. Sewing wise my mother taught me as a child and I have continued on making Halloween Costumes, Cosplay, and now historical garments. My recent sewing has been keeping my child in garb, and finishing off leftover projects from college… I sew often but finishing things is a weak point. I usually play 10th Century Anglo Saxon this is a huge challenge for me as we go from clever triangles and rectangles to curves and yards upon yards of fabric. The first dress I was given help from the lovely The Honorable Lady Isabelle de Calais, as she created a first draft of the bodice based on her own. I also referenced much of her work as I rushed to complete the dress in under a week. When I am not sewing I am playing with illumination and other fiber arts.
Her Project: The plan is to remake a noble woman’s 1560’s Venetian dress. I had made one for our Baronial 12th night this past year. However, the dress needs to be reworked and I would like to see a more complete outfit. If you have seen the Venetian Province of Treviso, Republic of Venice Paolo Caliari (Veronese), 1561: Detail from fresco Treviso, Villa Barbaro That is basically the color and cut of the dress I plan to make. However, this piece will be more Modern Recreationist as I do not have the knowledge or skill to bring this to a Historically Focused masterpiece. Why? I honestly fell in love with this dress! It is comfy yet elegant and I would like to do it justice not just leave it as a one-off. The Layers I plan to make a set of Drawers, fix the Camicia neckline, cut a new bodice to correct the errors I made on the first dress, re-do the pleats on the skirt properly and attach to the bodice, make a Partlet, make a pair of sleeves, making a zimarra, make a zibellini. I plan to hand sew, a number of pieces but because of the time limit will be using machine stitching as needed. I will also attempt to document my progress via my blog ofgreenandgold.com
About Amy : I dabbled in the SCA back in college, and I’ve been dipping my toes back in over the last year or so. I am very comfortable using a sewing machine on a commercial sewing pattern, but I sew modern and vintage styles more frequently than medieval styles. I have very little experience drafting patterns; hence my hesitation to attempt a cotehardie. I haven’t settled on an SCA persona, or even a name, but this project is going to be a good opportunity to test out 14th century Western Europe.
Her Project: I’m planning to make a middle-class 14th century European woman’s outfit for myself. I’ve wanted a Gothic Fitted Dress/Cotehardie for several years, and this project is going to be my motivation to finally try one! Due to budget constraints – and the fact that this is going to be a wearable muslin – I plan to substitute cotton for linen and wool. My first layer will be a chemise, my second layer will be a fitted kirtle, and my third layer will be a Cotehardie. My accessory will probably be leather shoes as leatherworking is a different discipline and not something I’ve tried before.
About Charles: My name is Maitre Charles de Bourbon, and I have been in he SCA for 22 years. I have been a member of the Order of the Laurel for more than 12 years, and my primary areas of focus is clothing of Burgundy in the early 15thc. This project ties directly to my persona and will be for me for 12th night (even though we aren’t having a 12th night, it is still a goal)
His Project: I am planning on making 14th/15th c. transitional outfit including: shirt, pourpoint, houppelande, and hat/hood. The outer layer and accessories will feature real, period fur, 100% HA fabrics, and will mainly be hand-sewn. (long seams will be done by machine). This is a piece that I have wanted to make for some time inspired by The Falcon’s Bath tapestries in The Cloisters. These are Flemish tapestries, which is also where I focus a great deal of my research.
About Chelsey: I’ve been a member for over 10 years. I do sew regularly and my persona could use some additional pieces of clothing. I have participated in a group challenge somewhere else a few years ago and am interested in this personal challenge. Love this challenge idea. Great to unite people from all over the Known World.
Her Project: Tudor/Elizabethan Outfit – still working out exact patterns/designs including a heavily embroidered cap, chemise, stays, farthingdale, kirtle & outer gown.
About Eyvor: Having been in the SCA for 15 years, most of my clothing and energy has been devoted to moving around the Viking-age world and with some dabbling into Rus. I’ve patterned clothing, handsewn full outfits, and generally dabbled in a decent amount in a number of things. I haven’t sewn much as of late, but I would consider myself to be competent enough with a machine that I can tackle anything with enough determination. The outfit isn’t one that fits what I normally do, but I wanted something different that would give me more variety in my SCA wardrobe. I expect that it should be a good challenge, but one that I can tackle and will result in a solid project that I’m pleased with.
Her Project: I’ve wanted a kirtle and cotehardie for a very long time, and actually bought fabric for it as everything was starting to shut down. I’m looking at doing an outfit roughly suited to middle class in the late 14th century. I want something comfortable, that I can wear in a number of situations, and accuracy is not as important to me for this. It’s a project to stretch my skills and to make me happy. This is being entered in the recreationst category primarily because I don’t have documentation for some of the colors and the exact stamping. The horse and raven symbolize both my household and my own heraldry – a white raven on a red background for Hrafnheim, and a white horse on blue for me. (My heraldry a blue horse on white, but I *will* get white quite dirty, so decided something else would look better.) As of now, the plan is as follows: *Short-sleeved white shift *Sleeveless linen kirtle *Long-sleeved parti-colored cotehardie (one side stamped with white ravens. the other with white horses) *accessories: paternoster, necklace, and earrings (all glass. all beads made by me for a non-sewing skill, glasswork)
About Fionnabhair: I have been in the SCA since the early 2000’s and love my 16th C Italian clothing. I am self taught and don’t enjoy sewing (and am not confident about it). I would much rather be doing embroidery! I think clothing is a big part of one’s persona so I force myself to keep sewing. I also enjoy cooking and illumination, and love women’s dress accessories.
Her Project: I am planning a 16th Century Italian Noblewoman’s ensemble. At this stage I would like to do a dress, coat, undergarment and (hopefully) a suite of accessories. I would like to try and use mainly materials from stash. It would be nice to be able to incorporate elements from my heraldry, but I am still very much in the vague, planning stage. I have a series of similar gowns in portraits that I would like to base my dress on.
About : Hi there, so I am very new to the SCA, roughly a year or so- but with the pandemic I’ve only made it to 3-4 events. I am fairly new to historical sewing but have been making costumes and cosplay for myself as well as a variety groups and Mardi Gras krewes in New Orleans for several years. I also help run the Sewing Squad facebook page, which is a small group of people in my region that want to learn more about sewing skills and history focused garb.
Project: I’m going to be doing a (roughly) 1480-1500c Italian Renaissance set of garments. This will be inspired by a set of paintings from that period, though the fabrics will be different, since I’m picking this period/style to utilize a yellow silk taffeta and a red silk brocade that I already have. I also wanted an opportunity to work on my embroidery and with the heavy ornamentation on the sleeves of this period, hopefully I can get some nice detail work done ( though I’m pinning that as a “stretch” goal, time allowing).
About Kristine: I joined the SCA in middle school when my mother started taking us to meetings. I wasn’t always as excited about it in the beginning, but when I found tablet-weaving, I was hooked. I met my fiance, Vincent, as well as all my closest friends in the society.
Vincent and I came to a deal a long time ago that he would make our garb, since he enjoys it and it just puts me in a foul mood…. but since I’m spearheading this challenge, I feel like I have to put my money where my mouth is and participate. Wish our household luck!
Her project: Years ago, I came upon one of the images below and felt like I fully understood the woman wearing it – and I love her apron. I can’t just make the apron, right? I have to make the whole outfit to go with it. These images are all from the same illumination and are a little later than my usual time period (I’m usually mid-to-late 14thc Scot) being earlyish 15c inspired by images from The Book of Faiz Monseigneur Saint Loys. So, My plan is to make all the layers shown, a chemise, a supportive kirtle (stretch project of additional pin-on sleeves), a silk cotte with embroidery, and a wool over cotte with embroidered embellishments. My accessory will be a tablet woven belt, though I’ll also be making the aforementioned apron. I have other wacky ideas on extra accessory layers, but we’ll see how it goes!