About Eilish: I have been a member of the SCA, Kingdom of Calontir, Shire of Westumbria for about 4 years. Currently I am the Westumbria Herald. Sewing? Long? Oh, let’s see? Since I was old enough to use a needle & thread. (Note that I didn’t say “safely”.) I love historical sewing. To date I have made Roman, Irish, French, Norman, up to the 14th century; then I jump to 1830s Mountain man era, Souix maiden dress, prairie dresses & even some leather breeches; then Civil War hoop dresses, 1880s bustle dresses; & of course mundane from 1970s to present day. This dress will, hopefully be the signature gown for Lady Eilish. It will be a challenge because I love challenges. Especially sewing.
Her Project: I purchased a purple linen, Green Silk w/slubs & a textured white silk at Clothiers a couple of years ago. The dress idea didn’t gel for a while. After researching the following is what I have settled on. The design is completely mine using historical references. It will be made using machine & hand work. 12th century green cotehardie with detachable & reversible sleeves, trimmed with the white textured white. Trim is to be neck, arm cuff, reverse side of bell sleeve, mid calf trim & a tippet. White will eventually be embellished with embroidery & beads. Underdress will be purple linen. (Because there is not enough yardage for the complete long underdress, upper to below hips will be linen & lower will be unbleached linen.) Some aspects may not be historically accurate, ie; detachable/reversible sleeves & using a second color for lower skirt; but I like the ideas. Detachable/reversible sleeves & a tippet will make this dress at least 4 dresses in one.
About Guendolen: Greetings fair folk, I am Guendolen. I’ve been playing off and on in the SCA for about 20 year with a longish break after an unfortunate relationship event. I prefer all sorts of creative endeavors from sewing to belly dancing. I’ve been looking forward to creating this clothing combo for my persona for quite a few years with many, many failed attempts. This time, however, I feel I am ready to take up the challenge – this very challenging challenge. Well met and good tidings to all.
Her Project: The plan is to recreate a twelfth century bliaut, overdress, cloak, and belt and or pouch. I am basing the ensemble from several illuminated pieces that highlight the overdress and several extent pieces for the cloak. It appeared to be something a high born lady would have worn in France at the time my persona would have lived (1140s – 1170s). I have been working up my nerve and my knowledge base to create these pieces and this was just the excuse I needed to jump into it.
About Jorunna: I’ve been in the SCA going on 4 years now. I’ve been learning to sew my own garb the past 3 years and slowly building up my collection. A good portion of what I have is Norse. However, I have a Persian outfit, a gift bliaut, a couple of Italian dresses, and some roman chitons. I want to have garb from all different times and locations, and have a list of what all I want to make. In the SCA I also do target archery, equestrian, mounted archery, heavy combat, combat archery, embroidery, and dabble in bardic. This endeavor is going to be a bit challenging for me, but I’m excited to learn new skills and have a new outfit!
Her Project: I am looking to make my first 12th Century French bliaut. This project is to add a summer weight or light weight bliaut for warmer weather. I was given a velvet bliaut from a friend, but it’s too heavy for warm weather events. This one will be made from a beautiful silk looking cotton rayon brocade. The fabric has embroidered fleur de lis in gold. The sleeves will be lined with actual silk that is lavender and gold. I plan to make a matching veil too. For inspiration I’ve been looking at images of the carvings on the Cathedral de Chartes, some illuminations, and some other SCAdians’ examples of bliauts. This is a chance for me to make something completely new that I’ve never attempted before. I’m excited to be expanding my sewing skills and knowledge and branching out historically!
This is an underdress for my 12th century ensemble. The outfit is meant to be a noble. I cut out the dress as a standard early period underdress. Using rectangles, triangles, and squares in the pattern. I decided to go with a scoop neck neckline on this dress, and realized after that I probably should’ve cut it an inch smaller than what I did, but it’s ok, and will work. I decided against decorating the underdress with embroidery, so that I can use it as part of other early period ensembles as well. It’s a pretty base layer and I love the color of this dress.
This is my 12th century bliaut main dress. It’s made of cotton/rayon blend that feels and acts like silk taffeta in a lot of ways. The sleeves and neck (purple/gold) is real silk that was repurposed from sari silk. It’s very lightweight and sewing the two together proved extremely challenging! I had to hand sew almost of the time on it because it kept sliding when I tried to use the machine. I did 20 hand sewn eyelets in the side of the dress. They took a while, but I learned a lot! I decided to machine sew the dress hem because 1. It would be more sturdy and hold up better. 2. I was running out of time for this project because we bought a house and have to move at the end of the month. If I had more time I would’ve hand sewn the hem too.
This was a 3/4 circular mantle I made as the top layer of my entry. It’s based on some of the courtly mantles seen in the paintings of the 12th century. I used a wool/poly felt blend for the top of it. I used fake fur to line it. That was awful. The fake fur while super soft and warm has a stretchy backing that made it difficult to work with. It took 4 times as long as it should have because of that horrible material and I will never use it again. Lessons have been learned. I found a really pretty metallic trim to edge the front of the mantle. This piece was almost entirely machine sewn. The brooches I got from Raymond’s quiet press and are replicas of 12th century brooches.
This is a leather belt I did. I’ve never done leather working other than cleaning horse tack and armor, prior to this. It was all new! I bought a simple blank and the 12th century replicas for the belt findings. I stamped the leather with a circle and Celtic knot design. Then riveted on the findings. I didn’t want to dye it black, but not sure what color I really want with it, so I left it natural for now.