About Æsa: I’ve been in the SCA for about 13 years. While I love sewing, I also enjoy playing with other skills like archery, knife and axe throwing, fiber arts, basket weaving, herbalism, soap making, pottery and brewing/cooking. I love acquiring skills that a Viking wife would have used in her everyday life. While the sewing aspects of the garments will not be difficult, historical clothing can sometimes present challenges as I am paralyzed. I often have to strike a balance between something that looks as correct as possible while also being comfortable, allowing for medical restrictions and not hindering my wheelchair’s movement.
Her Project: I’m hoping to create an ensemble that would have been worn by the Norse wife of a fairly well-off land owner in 10th century Jorvik. The piece is not based on any single burial find, but takes inspiration from several. The plan is for wool stockings, a linen underdress, a woolen dress and apron with jewelry and a head covering. The goal is to spin and weave a component of the ensemble.
About Aethelwynne: I joined the SCA last February, so I’m still very new! I sew regularly, both for work and for fun, and have been creating historical costumes for about 10 years now. I originally started with Victorian-era costuming, and worked my way back through time to early medieval, which is now my absolute favorite period of history to study. Besides sewing, I also participate in heavy combat and archery with my local group. This project does directly tie in to my persona, a 10th century Anglo-Saxon woman. I think the sewing itself will be easy for me, but the bits I’m hoping to do, specifically the embellishments on the gown and wimple, will definitely be harder as I’m still learning to tablet weave and embroider!
Her Project: I’m planning on making a late 10th-early 11th century, high status Anglo Saxon women’s outfit. It will consist of a plain linen smock/chemise, a green wool gown with pale yellow silk trim, brown wool cloak, and white decorated veil. Due to the inclusion of silk and the color of the wool, and the planned embellishments on the veil, this outfit could have been worn by royalty, high noble status, or wealthy abbesses/nuns. It isn’t based on one specific illumination, but I have taken different image references from “Dress in Anglo-Saxon England” (drawn from sources such as contemporary religious texts and the Bayeux tapestry) and picked various elements as my inspiration. It won’t include heraldry or awards because I have none yet (joined just before all the covid cancellations). This is an outfit I’ve wanted to make for a while; I have a few normal “everyday” gowns that look nice, but I want something extra special to wear to court or have for big events.
About Aoife: I attended my first event in October ’19. I only got to go to one more before Covid. Sewing is new and intimidating. I learned sewing, weaving, and embroidery just so I could fit in with you all. This project will hopefully be the fancy thing I can wear to court. It will not be easy. I’m already freaking out.
Her Project: I am new to the SCA and am making my kit myself because I can’t afford to buy clothes. I am aiming for pre-Norman Irish Celt because all my friends are Vikings. So, 10th-11th century? I’m not a fancy lady, but I do like to look nice. I’m making a pink underdress (I saw a picture of Mary wearing a pink leine once; Book of Kells, maybe) and a red leine with gold-colored trim out of linen. I will also make a red brat out of a cotton fleece I have, and I’ll try to embroider on it the fox that I hope will one day be on my device. I’ll likely weave some trim for some part of this. For the fourth item, maybe a copper cloak pin?
About Diachbha: I joined the SCA in 1977 at Spinning Winds first event when we were still part of the Middle Kingdom. Except for 3 years in grad school, I have always lived in Calontir. My persona is late 10th c Norse, mostly Jorvik, but I give myself permission to wander Norse areas for inspiration and bling. This is an outfit that I could wear regularly. As I mentioned, I’m designing the coat to wear mundanely as well. I do sew sometimes, but I’m primarily a weaver. The whole outfit will be an interesting challenge. I have never forged anything before, but have made arrangements with a friend for lessons aimed specifically toward making a small blade with a curved handle. He’s psyched and I’m slightly scared.
Her Project: I’ve been itching to make this outfit for a while. It’s in the modern interpretation category because I want to use the coat for everyday wear. Underdress, apron dress, coat, embroidery, fibula, chains with small knife and leather sheath. Inspired by 10 and early 11th century Jorvik finds. Underdress and apron dress of hand-dyed linen. Coat of boiled wool, lined with India painted-calico (cotton). Garments hand sewn. Embroidery of reeled silk (patterns inspired by Danish Norse archeological finds). Fibula and chains from brass and bronze. Knife forged, tempered iron with cow hide sheath. If I have time, additional embellishment with tablet woven band of reeled silk. This type of overall outfit would have been worn by a middle-class householder. The whole outfit is the fancy version, perhaps worn for ceremonies.
About Embla: I’m a newcomer to the SCA, having decided to finally join this year. I’ve been sewing for as long as I can remember, and have been seeking to learn more about historical clothing construction methods in the past several years. I do a lot of different fiber-related crafts. I know how to knit, I’m getting the hang of nålbinding, I can spin wool into thread/yarn, I can weave on a rigid heddle, I’m learning how to do tablet weaving, and I know a little bit about millinery. I plan on using this project to get a better understanding of how to construct the more historically-based dress I’ll be making for my persona in the future, so I know how to properly fit it. I already know how to draft patterns, so this is going to be relatively easy, with the sewing part. The rest, not so much. Embroidery will be the next easiest thing, followed by knitting, then the parts that require weaving, and most difficult will be the Nålbinding pieces.
Their Project: I plan on making a modern-ish interpretation of a 9th – 10th century, middle class, Viking woman’s outfit. I plan on using more accessible fabrics (such as cotton/polycotton broadcloth for the underdress, and if I can find/afford it, a heavier cloth for the smokkr). I’m basing my outfit on the dress/tunic “pattern” on the clothing section of the Hurstwic website, as well as either a cloak or an overcoat, and accessories. I plan on doing a mix of machine and hand sewing, as well as weaving and nålbinding, as well as some embroidery, and possibly some knitting, if time allows.
About Ian’ka: I have been in the SCA for 27 years. I’ve been sewing for about 22 of those years off and on. I am a scribe and researcher but have been known to make clothes for royalty and of course for my family of my husband and my son. This project will directly link into my persona and I have been struggling with motivation to make things in the last few years. I’m just now starting to get the urg to make clothes and was quite delighted to hear about this challenge. The clothes are things I’ve been wanting to make and now will have a reason to make them. I’m excited to pattern out a new style of underdress and to change up to slightly more Byzantine influence on the overdress. I’ve been meaning to make myself a lightweight coat for quite some time and I’m excited to finally use some coveted fabric in my stash. I think this project will challenge me in skill set as I will be developing new patterns for the underdress and since my motivation has been a bit lacking of late the reminders and the pressure from others in my household who are working on clothes will help keep me on track.
Her Project: The pieces will be what may have been worn by women in North Western Russia in the 9th-10th Centuries especially with groups that were traded with or influenced by the Norse traders. My SCA household is a mix of Rus and Norse personas and as one of the Heads of the House and a Duchess the clothes should show the prosperity of being a wealthy trader’s wife in the 9th to 10th Centuries. A thin linen shift will start the outfit which will be a new endeavor for me as I don’t usually where that layer. Then the underdress will be based upon the fine linen garment found in the Pskov find which has a gathered neckline, this is a new construction technique for me. This fabric is a wonderful check patterned fabric in red/white. Checked fabric has been found in a number of graves in the North (Haithabu) and Russia. The linen overdress will be based more on the Rus with the silk details as noted in the Pskov finds but with the decorations from the Byzantine influences. The silks found in the Pskov grave show the Byzantine motifs in portions of their weave. there are many examples of this style of decoration in church frescoes, period bracelets and in grave finds. The plan is for plain silk that will be accentuated with tablet woven trim in either linen or silk. The trim will be either made by myself or my husband. A wool coat will be from handwoven fabric, accented by silk and based on kaftans from period descriptions and paintings. I am yet undecided on if it will be center buttoning or side buttoning as both were worn. If I have time I plan on making a new set of beaded jewelry for this outfit to compliment it all.
About Isibil: I have been active in the SCA for right at 20 years. I sew frequently, although I have had a dry spell with Covid. I love to hand sew and have been told that my skills are advanced. This project does tie into my persona, but perhaps a little bit of a different location (she traveled). I have made turn shoes several times, I would consider those skills to be intermediate. My naalbinding and knitting skills would probably be intermediate as well. This will be a challenging project both in scope and intricacy.
Her Project: I am going to do early period (10th Century) anglo saxon women’s dress. I have many historical painting/illumination images that will be included in my documentation. I plan to use accurate colors, linen fabric, hand sewn entirely. Naalbinding for accessories, inkle woven trim and hand made leather shoes with either knitted or naalbinding for the socks. I did something similar last fall for crown, but with more of a Calontir emphasis rather than a historical emphasis.
About Moon: I’ve been in the sca for 30 years and I am now just really starting to enjoy the arts and sciences. I entered one queens prize with a hand sewn tunic and would like to expand upon that experience with something to go with my persona.
His Project: A 10th century blend of Cherokee and Norse culture in an everyday outfit. This is something that I have wanted to do for a while and is purely conjectural experimental archaeology.
About Soma: I have been in the SCA for 6 years now. My main areas are sewing, embroidery, weaving, and lamp-working glass. These were all picked up as a result of my choosing a 10th century Norse persona. This will be more challenging for me as it will only be the second time I have hand finished my seams, and the first time purposely creating a whole outfit on a deadline.
Her Project: I plan to create a 10th-ish century viking outfit. This type of clothing has been found in a majority graves and would be worn by a middle class person. I plan to make a serk, an apron dress, a coat, and the accessories are undecided. Most of the inspiration comes from Medieval Garments Reconstructed, Norse clothing patterns. I have had all the supplies and been planning it for a while, but needed motivation.