Beginner · Historic Beginner · Historically Focused

Sugawara no Naeme

Location: Barony of Carolingia, East Kingdom

Category/Level: Historically Focused/Beginner

Project Update Blog: Heian Haven

About Sugawara: I have played in the SCA, off and on, for 18 years, beginning in Meridies which then became Gleann Abhann. I came for the costumes and stayed for everything else. When not sewing or researching the Heian era, I dabble in calligraphy and illumination, music and food. This project is a levelling up for me. I’ve made the garments before, but this time, for the first time, I’ll be using period patterns and attempting to translate and follow the instructions which are in Japanese. This is my first A&S competition.

Her Project: I plan to make a travelling outfit suitable for my persona, a Heian Japanese noblewoman circa 1020. It will be modelled after the travelling outfit found at the Kyoto Costume Museum using color choices appropriate for my rank. The uppermost garment in the ensemble will be made from fabric bought for this purpose many years ago, and all fabrics used will come from my stash.

Final Photos

Her Final Thoughts on her C3 Experience:

When I set out on this project, I intended to recreate a travelling outfit that would allow me to walk around events in a highly period fashion. I wanted to make the ensemble as historically accurate as I could so I could be a better version of a walking “class” when someone asks about what I’m wearing. But, I didn’t start with a complete picture. Halfway through the Challenge I attended a class and discovered that the outfit I was making actually had more pieces, and that I was wrong about the chemise. I completed the project in line with its original design as I did not have time to rework the errors or add a whole extra garment. I have firm next steps to improve the hitoe and chemise and plans to make not only the missing kosode, but a pair of shin-protectors as well to round out the ensemble incorporating the newer information. And I’m incredibly proud of what I made.

Layer 1

Layer one was actually the second layer I worked on, as I started with the accessory or fourth layer. Work on the chemise for layer one began October 27 and finished November 20. This skin-layer garment is made of a light silk taffeta, hand sewn with silk thread. The pattern was developed using patterns from similar extant Heian (794-1185) Japanese garments and later period kosode patterns. It is made in the style of a kosode and is appropriate for a Heian Japanese noblewoman.

Layer 2

Work on layer three began November 21 and was completed on December 25. This hitoe is made of a fine silk dupioni that was overdyed to the proper shade of blue-green and is hand stitched in matching silk thread. The pattern used is one created by experts in Japanese Historic Costume from an extant garment. It is appropriate for a Heian Japanese noblewoman.

Layer 3

Work on the uwagi began December 26 and concluded January 9. It is made of a synthetic brocade lined in silk taffeta, hand sewn with matching silk thread. The two pieces were joined together with topstitching along all edges, done so that the darker gold of the lining sets off the lighter gold of the brocade. The pattern used is one created by experts in Japanese Historic Costume from an extant garment. It is appropriate for a Heian Japanese noblewoman of modest rank.

Layer 4

The hat was purchased. The veil panels are silk gazar hemmed by hand in silk thread. Work on the weaving of the kazari-himo or decorative cords for the hat began on October 1 and was finished on October 27. The hat was assembled on January 10. The kazari-himo were woven from thousands of yards of silk thread that was divided into 8 hanks of 40 threads each and then woven by hand on a marudai (a late 16th century Japanese weaving stand). Each of the finished 4 cords was 13’-9” or longer. The cords were all trimmed to the same length and woven through a channel in the veil panels, emerging at small slits at the outside center and interior edges. I modelled the veil construction and cord application on the example found at the Kyoto Costume Museum. The hat is appropriate for a Japanese noblewoman of the late Heian and Kamakura periods.

Layer 4+

Bonus Points

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